down the well

In a recent interview George R.R. Martin talked about life before the big success of his A Song of Ice and Fire fantasy series. (That’s the Game of Thrones thingy, for those few of you not in the know.) He talked the usual stuff, characters, historical analogies, world building, the pressure to complete a big series, and so on; but he also talked about being a writer and how it used to be, before the bestseller charts and a hit TV show changed everything for him. It was good, and I enjoyed reading it. But the bit in the interview that struck home with me was when he said he’d spend a couple of years writing a book and then, when it came out, it was like he’d thrown it down a well for all the difference it seemed to make.

Well . . .

You don’t expect fame. You don’t expect riches and to be lauded with praise. (If you do, you’re really in the wrong profession, buster, because believe me, the statistics are heavily against you.) But when you put all that time in trying to make the best book you can, it’s nice when, now and again, someone actually reads your book.

It’s a rarer thing than you might expect. Book sales overall are not that large given the population of any particular country, and it seems there are fewer and fewer readers in the world, something that can’t be true given the need to be literate in a computer age. They’re out there, are readers (I’m one of them, and I assume you are, because you’re reading this blog); the thing is, they’re just not reading many of us.

Most of my readers have never heard of me. They pick my books up from the genre section in the library, read them – sometimes all of the book, and I suspect sometimes not – and then they return them and take someone else’s book out. They’re there for the genre, not me.

That’s fine. That’s great actually. On some level, it’s probably how it should be. People might find you, and suddenly take to you and read your other stuff after stumbling upon one title of yours that they like. They might not, because tastes differ, and just carry on going from genre author to genre author. And that’s fine too. It’s nice to be quietly anonymous while one of your books is calmly getting on with its business of being read without telling you. It doesn’t feel like there’s any pressure then.

Sometimes I sneak a peek, though, to see what’s going off. Now and again, as a sort of off shoot of a Google vanity search, I’ll dip into the online catalogue of a library and hunt for my stuff. It’s nice to see your titles out on loan. It’s also a little strange, to think that people you have never met are reading your books. It buoys up the confidence, gives you a little warm feeling inside.

But your books aren’t always out on loan. And for most of the time it still feels like you’ve dropped a stone into a large circle of darkness and are counting away, waiting to hear some sort of sound come echoing back up from deep down below, even if it’s only the crack of things breaking up when they’ve reached rock bottom, with no liquid dream to settle into. The book is published, and then it’s gone.

Is it worth the hard work and effort it took to get that far, though?

You know, for want of something better to do, I think it is.

Which is why I am here, standing slightly to one side of my usual place when I have a new book out, trade paperback and ebook in hand this time, looking down into a well that seems deeper and darker than any well I’ve dropped a book into before. Different well, different darkness, potentially a fathomless pit.

But maybe it’s a wishing well.

Maybe.

I just don’t know.

You see, I’m doing things differently, because I wanted to. Because I think I needed to. If you keep repeating the same actions and expect a different outcome, you’re going to be disappointed.  I’ve written a book, a sort of YA dark fantasy that might actually be a Crossover novel. It’s a tricky one to pigeonhole. I’m calling it A Clash of Ichor and Blood and keeping my fingers crossed that someone, somewhere, might read it. Maybe more than someone. Maybe lots of someones.

That would be nice. But I think it’s unlikely. Unless Chance intervenes, or Fate, whichever is less capricious; or a bit of friendly help sticks and makes a difference.

Still, you don’t know.

A Clash of Ichor and Blood is being published as a trade paperback through Amazon, and as an ebook through Amazon and Kobo. Hopefully it will make its e-way out onto other platforms at a later date. It doesn’t have a traditional publisher behind it. This time there aren’t likely to be any library sales. If anyone reads this book, then it may well be because I have given them a paperback copy or they have bought a digital edition at a very favourable price – see your local Amazon and Kobo store for details, folks – or they’ve found it on a pirate site for free.

The book is available now in its trade paperback format. It’s about 106,00 words long, which, given the font I’ve gone for and the size of the typeface, means it’s about 297 pages long. I’ve tried to price the book competitively, so that not only does it cost just a little more than half the price of many trade paperbacks these days, but it also hits the “free delivery” mark Amazon offers for postage of books. If you like your books physical, I think this is a good and nice thing that should bring a smile to your face.

If, however, you like reading electronically, on your phone or tablet via an app, or on an e-reader – which is my own preferred method of devouring ebooks – then Kobo and Amazon will have the ebook all set for delivery to you at what I hope is a fair and very competitive price. (I mean, come on – you’ll pay more for a fancy cup of coffee than you will for the ebook of A Clash of Ichor and Blood. How could you not buy it? It’d be crazy not to.)  The ebook is coming out this Sunday, on April the 15^th.

I hope you can get a copy of the book in one format or another. If you do, I hope you read it. I hope you like it. I hope that it was worth it, for both of us.

I wish you well.

(The ebook, incidentally, is available without Digital Rights management applied, meaning you can take the epub or mobi file and convert it to any format you like, put it on any device capable of reading your chosen format, and also give it away to friends and enemies. I’d prefer it if they bought a copy. But if they can’t afford it, or wouldn’t buy it other than for free, what the hell – let’s get the damn thing get read. I can always drink rainwater and eat flies.)

experiments in e-books (iii)

Here are some formatting rules and instructions that I worked out (with the able assistance of my girlfriend – she also designed this blog, by the way, so a round of applause there) when I was formatting the long short story, well, novella really, What I Wouldn’t Give.

I’m assuming there that you’ve already spent your days banging your head against the wall trying to make your work as good as it can be by now. If not, you might like to read some of the earlier blog entries titled “experiments in e-books” - part i and part ii.

Okay, then. Let’s do it.

Remove Old Formatting

First step. Copy your document and paste it into Microsoft’s Notepad function, or another plain text editor. This will take out all the formatting of your document. Leaving you with 12-point type, no justification, no centre alignments, etc.

Copy the Notepad document.

Open a new Microsoft Word File.

Disable all Microsoft Word auto-corrects. Spell-check, automatic page breaks, orphan commands, etc.

Fonts, Typeface Sizes, Italics...

Use Times New Roman typeface set at 12-point as a background.

Now. The only typeface sizes you can use in the text of your manuscript are: 10, 12, 14, 20. This is because Kindle readers only work to those four type sizes. By putting in a 13-point letter, you may wind up with either a 12- or 14-point character in your Kindle reader, depending what mood it’s in.

Present the document as you would like to have it read. Italic words you want italicised. Make bold any words you want bold. Underline any words you want underlined, though be aware the convention is that underlined words are generally thought of as hyperlinks from within the text and can cause confusion if applied otherwise.

Justify

To have even margins rather than staggered margins, apply to the overall text of your document the justification options as you would have it look on a finished page. Justified left and right.

Page Breaks

Insert page breaks as you would ordinarily insert page breaks in Word, but not by using typed shortcuts. Remember, you should have all auto functions switched off.

Never use more than 3 paragraph break Returns in the document without including some type or character of some sort. Kindle doesn’t recognise more than three empty line spaces and will go all Hal-like from Arthur C Clarke’s 2001: A Space Odyssey.

Now, a very important point:

Paragraphs

Kindle doesn’t recognise Tabs consistently. This is why you do the copy and paste through Notepad, knocking out all formatting. Even so, some formatting regarding tabbed paragraph indents may remain. So, you need to delete all tabs for paragraphs in the document. Time consuming and laborious, but it has to be done, otherwise Hal won’t open the pod-bay doors.

Instead of looking like this:

                                                     *
Dave walked out of the door.
        He carried a plank under his arm.
       It was a long plank, and he was lugging it around with him in memory of the fine comedian Eric Sykes, who had recently died. Dave had seen a film in which Eric had carried such a plank around with him and it had made Dave laugh. It was more fun than being Prime Minister anyway.
                                                     *

It must look like this:

*
Dave walked out of the door.
He carried a plank under his arm.
It was a long plank, and he was lugging it around with him in memory of the fine comedian Eric Sykes, who had recently died. Dave had seen a film in which Eric had carried such a plank around with him and it had made Dave laugh. It was more fun than being Prime Minister anyway.
*

(Note: You must remove any spaces behind the last letter or punctuation of any paragraph. There can’t be a “Dave walked out of the door.(space)” because this can skew the continuity of smooth paragraphs one after the other and may result in an unintended section break.)

So. To correct the tabs function and insert paragraph indents to a document without using tabs…

(I should probably point out here that all this is based on Word 97-2000, so you may have to search through newer versions of Word to find the same performance options. But . . .)

On your menu bar go to Tools >Options >General >Measurement units (this is found towards the bottom of the screen) and change it from Centimetres to Points.

Then, highlighting your manuscript, go to Format >Paragraph >Indents and Spacing. In the Indentation dialogue box go to Special and select ‘First line’. Apply 25 points and your document will look like this:

      *
      Dave walked out of the door.
      He carried a plank under his arm.
      It was a long plank, and he was lugging it around with him in memory of the fine comedian Eric Sykes, who had recently died. Dave had seen a film in which Eric had carried such a plank around with him and it had made Dave laugh. It was more fun than being Prime Minister anyway.
      *

Not ideal, but better than it was. Highlight/select your first section break asterisk and the first paragraph (in this case the first paragraph is one line, but in the case of, say, a three-line first paragraph select the entire first paragraph). Then go through the same procedure of  Format >Paragraph >Indents and Spacing. In the Indentation dialogue box go to Special and select ‘First line’. THIS time, select a points value of 0.1 to give the following result:

*
Dave walked out of the door.
        He carried a plank under his arm.
       It was a long plank, and he was lugging it around with him in memory of the fine comedian Eric Sykes, who had recently died. Dave had seen a film in which Eric had carried such a plank around with him and it had made Dave laugh. It was more fun than being Prime Minister anyway.
        *

Then select the first asterisk and centre justify it using the standard toolbar option.

                                                       *
Dave walked out of the door.
       He carried a plank under his arm.
       It was a long plank, and he was lugging it around with him in memory of the fine comedian Eric Sykes, who had recently died. Dave had seen a film in which Eric had carried such a plank around with him and it had made Dave laugh. It was more fun than being Prime Minister anyway.
       *


Highlight/select the trailing asterisk and repeat the points at 0.1 procedure.

It’s a pain, it’s laborious, but you need to do this through the entire document.

You also need to apply 0.1 points to anything you want to centre justify. This includes titles and chapter headings (but more later in another post on chapters for novels and short story titles for collections; here I’m dealing with a one-off long short story document).

Where to Begin

To add a ' Beginning' to a book : Place the cursor where you want the book to start, click “Insert > Bookmark.” In the "Bookmark name:" field, type “Start” (without the quotes) and click "Add."

This will link from the Home button on the Kindle device itself, along with others that should link to Cover, Contents, End, and so on.

In my novella file, “What I wouldn’t Give,” I’ve put the beginning of the book above the line, in one of the first spaces of the first page of prose. Putting it at the start of the text is the convention, but when I did so I found the neat marker line I’d inserted as a graphic to tart things up a bit had disappeared.

Save As

When you’re happy with how your document is looking, save the file through Word as a “web page, filtered” and that’s the one you upload to Kindle Direct Publishing (kdp.amazon.com).

You can upload as a Doc but we found the chances of it going wrong are greatly increased if you do.

Preview and Preview Again

Note: performing the upload isn’t publishing it but this is your official book file! At this stage it’s advisable to take a preview and put it on something – ideally a Kindle – to check it all through. Kindle Previewer is available as a free download from Amazon and shows the basic form settings for Kindle, Kindle Fire, Kindle Touch, Apple Kindle apps, etc….

DRM?

There’s stuff to think about like Digital Rights Management then. In short this is a sort of crappy copyright protection control that’s easily overcome by anyone wanting to pirate the ebook. Nice in principal and you may as well apply it, but it seems from a casual glance that other ebook files such as ePub and PDF are obviously easily copyable.

To Conclude...

And that’s about it for formatting your work. It’s wise, as I say, to go over the document on a Kindle, to read it through. By now you should be sick to death of the book, but it’s still worth checking, because you may find typos or lines you want to edit.

Believe me, there’ll be no special alchemy that transforms a duff line into a grand one when the book is finally available on site for download.

Next time out we’ll talk about covers.

experiments in e-books (i)

So you’ve written your novel, your novella, your short story, your short story collection. Maybe you’ve written more than one novel. Maybe you have short stories coming out of your ears. And perhaps you’ve had some luck finding homes for the stories and even the odd novel. You’ve flirted with mainstream publishing – by which I mean an established publisher of books, rather than a guy producing his own imprint out of his bedroom (honourable and noble enough though this is of him) – and it didn’t lead to a lifelong romance. You still love writing. You still love books. Your heart’s not broken, but possibly it’s bruised.

You’ve got a novel that’s not seen print. Maybe more than one. You’ve a hundred thousand words or so of short stories that never really found a home. That novella, who was ever going to publish it anyway? I mean, come on, realistically. It would be commercial suicide on a publisher’s part. And besides, you didn’t really know whose door to knock on to help get it into print in the first place.

So . . .

At some point the lure of the e-book gets to you. If it’s not at the top of your list of publishing ambitions, then somewhere further down – take a glance below “Winning the Nobel Prize for Literature” and search somewhere around “Getting At Least One Person To Buy Your Book At A Book Signing” – you’ll eventually find it. Straight-to-e-book, like the good old days of straight-to-video.

But is it a good idea?

I think the only answer to that is “it depends”.

Depends on how much work goes into it, depends on how much work you want to put into it, depends on who’s publishing it, depends on what your expectations for it are, depends on what exactly it is you’re publishing.

For the sake of brevity (and because it’s something I have a clue about) we’ll stick to publishing fiction.

The first and finest course a book can take to print is still through a mainstream publisher. Some – many – self-published authors who’ve had some success may dispute that. They’ll talk about how much more they’re earning by selling directly through Amazon or Smashwords etc, how they wouldn’t give away their back catalogue unless they had a bigger stake in the royalties than any publisher will offer, creative control in promotion, and a bunch of other things up to and including someone to pet their poodle while they use the lavatory. (I exaggerate, of course, for comedic effect. But only a little.)

It’s interesting to hear them talk. To a point.

Because mostly all they seem to talk about is the money. Every self-published e-book author you read interviewed or talking on the net usually starts off by telling you how much money he’s making. He tends to gloss over the actual writing and craft. Read some of the stuff that comes through into printed books after it’s found success electronically and you could believe that the quality of the writing was hardly ever a concern in the first place. At least not to the writer.

Often all it would take to fix those books is someone casting a sharp, critical eye over the manuscript and offering suggestions to improve things here and there. Like making the lead character’s name consistent throughout the book or pointing out that it’s quite a feat of biology to “shake his hand with a warm smile”.

There are things every writer needs, from the initial sympathetic (or stern) feedback from early drafts, to editing, copy-editing, proof reading, and even to someone saying “Hey, you know, this sucks. But if we delete this chapter and move this one here…” I won’t pretend all mainstream publishers give you that. The industry has changed from what it once was and there are now writers who’ve never met an editor in person and have just seen the Word file sent to the publishers printed and bound and out on the shelves. But for the most part, your chances of getting the things you most need to make your book better than it was come from being published by professionals.

The next question up is how can you tell the professionals from the hopeful amateurs?

The answer is it isn’t always easy. Especially in the case of small e-book publishers, which is what we’re concerned with here. Some e-book publishers are taking on plenty of half-decent and good works (often from writers who’ve fallen off the track of mainstream publishing) in the hope that one of them goes viral and starts selling in big numbers. And that’s fair. It’s commerce, which is what they’re interested in. But is that good for you?

Swings and roundabouts.

Although some of these e-book publishers will take the drudgery of producing the books and setting them out in the correct(ish) format and provide a cover, and they may even offer some feedback and editing, it’s doubtful that they’ll invest in you as heavily as a publisher sinking money into actual print copies. You’ll be listed on their imprint’s homepage, promoted in newsletters, linked to from their site. But beyond that… Well. Lap of the Gods stuff.

But you will have had one very important boost if you are picked up by one of these e-book firms. Someone will have read your work (unless the whole thing’s a con act, like old vanity press publishing) and deemed it worthy to see print. And that is satisfying indeed and gives a certain sort of stamp of approval. It legitimises what you’re doing. Takes away that whiff of desperation self-publishing often carries with it.

Something worth considering, then.

But what are your expectations? And how are they limited by opting to try your luck with a small e-book publisher?

If you want to put the books up on Amazon at the lowest list price (local sovereign currencies around the world will automatically adjust to the 99 cent lowest list price offered in the USA), an indie imprint e-book publisher is unlikely to help you there. Most indie imprint e-books sell for 1.99 to 4.99, depending. If you want to run promotional offers, or discount coupons, then the same issue is going to arise. And what if you’ve a variety of e-books you’d like to put up, in various genres? So far indie imprints seem to be as conservative, in their own way, as mainstream publishers who’d baulk at you handing in a crime novel after a science fiction thriller after a love story.

Maybe self-publishing is the way you’ll want to go if that’s the case.

It’s what I’ve tentatively decided to do with a few things that, for one reason or another, I’ve never really been all that confident will find a safe home elsewhere.

And so, as an experiment, learning as I go, I’m putting up on Amazon a 15,800-word novella or novelette, whatever you want to call it, depending on where the ever-shifting distinctions between the two are at right now, to see what will happen.

It’s called What I Wouldn't Give, and I’ll talk through the stages of starting out from nowhere – beginning with the writing – to the end point and actually coming up with product descriptions and listing the book on Amazon. I guess I’ll learn about the marketing as I go.

Stick around. Could be interesting.