___WORDS FROM ME_____________________________________
Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts

and the dance goes on

 

So flash fiction. It’s tricky to write, and sometimes feels more like an exercise than it does a free-flowing act of creation. But it’s handy to learn the discipline, to make good with what you can of its length, and not much of that there is. Most of it is 1000 words or fewer. 
 
I’ve written maybe a couple of handfuls in my time, for better or worse. (Usually worse, let’s be honest.) And I should probably write more of them.  “In the White of the Snow,” for instance, is a 1000-word spin on the Snow White fairytale, which was published by Daily Science Fiction some time ago. My even shorter piece, “Near-Death Experience,” appeared once in the small press magazine Fusing Horizons and then was reprinted - at a different though still sub-1000 word length - in a free newspaper available to pick up in supermarkets across Yorkshire. So despite the paucity of words available to you, it gets you read, and that should never be taken for granted.
 
Which brings me around to this:I have a new flash fiction piece in print, written just the other month. It’s already been sent out to subscribers of the Flame Tree Press Publishers’ newsletter. And just the other day the newsletter appeared live on their website. Meaning you can, if you are so inclined, read it there yourselves, free and gratis.
 
It’s a short horror story, and it’s called “And the Dance Goes on.” And you can read it by clicking here.
 
I hope you give it a go. I hope you enjoy it. And I hope you write a few flash pieces yourself.

more words make more tales . . . make for short story sales

 

It’s been a while since I’ve updated this blog with the news that I have a new short story out. It’s partly for want of not trying to get anything in print, and it’s partly for trying and failing to get anything in print. If you’ve read the last blog post here, then you’ll know my physical and mental resources have been deployed elsewhere for quite a while. I hadn’t really written any new fiction for quite a while. And after my dad died, I didn’t feel much of an urge to either.
 
But slowly something began to come back to me, a scribbled piece of flash fiction here, and attempt at a longer effort there. I tried to finish a short story I’d begun before my parents got to the stage where they needed my care, and it ballooned and (at last glance) was up to 57,000 words and no end in sight. Or even the suggestion of an ending. Or where it might lead to get to that ending.
 
I wanted to finish something.
 
So last November, I think it was, I tried my luck at writing short fiction that wasn’t flash fiction again. And came out with a couple of stories a week for a month. They poured out of me, as if they’d been waiting all that time for me to unplug the dam.
 
Well, fair enough. It was a relief to write them. But were they any good? I’d no real confidence in myself to judge them any more. Assuming I’d ever had any skill in judging my own stuff. I sent them off to a couple of friends, who assured me I wasn’t running around with the back of my trousers torn off, showing my nether regions to any who had the misfortune to look up on them.
 
So I subbed a few of the tales, to see what would happen.
 
And got some good news pretty quickly. Two of the tales were accepted for print by Flame Tree Press, a company that makes really handsome books and publishes the novels of Ramsey Campbell, a writer I’ve been reading since I was about twelve years old. And it quickly got better when I saw the contents of one of the collections I’m to be included in - part of their Gothic Fantasy range, a book called WERE-WOLF. My story “When Sleeping Wolves Lie” is going to appear in a book containing one of the great man’s tales. That alone makes me smile and think I’ve done enough to satisfy myself for quite a while.
 
The other tale I have in a Flame Tree book, incidentally, is a piece focusing on the Norse Trickster God, Loki, and will be in their forthcoming LOKI anthology, as part of their Myths, Gods & Immortals range.
I’ll let you know when the books come out. Forgive me, but a boy has to plug his wares now and again.
 
I’ve another couple of pieces that have been taken this year as well, but as the publishers haven’t announced them as yet it’s probably for the best if I employ a measure of caution and don‘t say what they are just yet. But when I can, I’ll be sure to mention them.It’s nice to be back writing. 
 
It’s nice to know I can, sort of, do this again.
 

east of never

 

So the second collection is out. East of Never collects a bunch of my fantasy pieces. Not so loaded with dragons and sword and sorcery, perhaps, as calling something fantasy would suggest, but still, the tales contain - here and there - elves, djinn, a fox, a fairy tale and a re-imagining of a fairy tale, and other traditional fantasy thingies. So I think it qualifies as a fantasy collection. 


Some of the tales have appeared in various publications before, some were scheduled to appear in other magazines or anthologies that ultimately never happened, and the longest piece is entirely new and rounds off the collection, bringing it to a nifty 250+ pages. A fair length for a short story collection, I feel. 


You can get yourself a copy of the paperback original here in the UKhere in the USA, and here in Canada.


Amazon also carries the book in many European countries, Australia, and Japan. 


Hope you like it, gang. 




supernatural tales 44 review

I just noticed a tidy little review of Supernatural Tales 44, which as I mentioned in my previous post, contains my short story "Ghost Stories". If you're interested and fancy a read,  here's the review.

ghost stories

It's been a while since I've had a fresh story published outside of one of my own collections. And, actually, in this case it is for wont of trying. I'd been getting fed up of chasing down editors to see if that story of mine they'd had on the slush pile/ in their "going to be included some time" folder was ever going to spread its arms wide, show some teeth, and stun the world any time soon. The record for one of my pieces being on the brink of being published is eight years and counting. So I kind of gave up subbing. Too much else was going on (see blog post "housekeeping"), and anyway, I had a viable way of getting stories out if I wanted to (see here). I was content to carry on doing my thing, as and when it was possible for me to do so - admittedly to little or no noticeable effect on the wider world. But that was okay. That was fine. Things were cool. Fight all you like, but it's hard to press your shoulder against chance and circumstance - what the ancients might have called Fate - and then dig your heels in and push and expect to get a result. So yeah, I was blithely doing what I was doing, and didn't really expect anything to change.

Cue David Longhorn.

Earlier this year a notice popped up on my twitter account saying I'd a Direct Message awaiting me. Swirling the little pointer arrow around on the screen, I opened it up. It was David, wondering if I'd anything I might like to submit to his journal (and surprisingly still one of the best kept secrets in UK speculative fiction) Supernatural Tales.

I've been lucky enough to have had a few stories appear under David's stewardship of ST. You don't turn down an opportunity to submit lightly.

Straight away I opened up the files on my PC to see if I had anything of the right flavour for David's journal. A couple of pieces looked like they might - at a push - be close enough to squeeze in, but I wasn't convinced. Mm, thunked I, it's not looking good. Nearly everything I'd written recently was either SF, fantasy, or mainstreamish-slipstreamy stuff. Then I noticed a tale I'd yet to second draft, called, somewhat appropriately, "Ghost Stories." Okay, that had  to  be worth a look. I opened the file, and much to my relief, it was. I gave it a second draft, and then cut as much as I could, and polished things up, and I'm pretty sure that I had sent it to David by close of play.

The good news - for me - was that David liked it enough to include in a future issue. And now, at least for some of us, the future has arrived. Issue 44 of Supernatural Tales contains "Ghost Stories", as well as fiction by the always excellent Steve Duffy, Victoria Day, Michael Kelly, James Machen, and Sam Dawson, who has also produced the cover art.

I can't lie. It's nice to see my stuff in the company of other writers' work again.

You can buy a paperback of Supernatural Tales 44 here. Get it as an epub ebook for ereaders here. And as a Kindle ebook here.


a little bite of christmas

Season's greetings, one and all.
Yup. It's that time of the year, folks, when I get to remind you that in the Free Fiction section of this blog you can read a short Chrismas story . . . For Free!

I know, I'm so giving . . .

It's called "Christmas Calories", and you can get to it easily by clicking Here.

Merry Christmas, "Ho, ho, ho," and all of that.

Mark

north of midnight

It's that month again, the one where the witchy goings on go on, and the ghosts and the ghoulies come out to play. It's that time when the leaves on the tree light up, and then fall and make rust of the gutters and the pavements. It's the time when kids come knocking on your door for goodies and the cold comes nipping at your bones. It's also that time when I have a new book out and it is, appropriately, witchy-ish, ghostly-ish, and halloween-ish. (I decided not to write ghoulies-ish, because, well, you know . . .) Anyway, it's called North of Midnight, and it is a collection of darkly slanted tales, all with a kink of the supernatural to them. Just right for this time of year, perhaps.

There are nine pieces in North of Midnight, of which about half of the content is published for the first time. Technically, all but two of the pieces should have been published before, but owing to magazines and anthologies collapsing it just never happened. And rather than send the tales out elsewhere, I elected to put them together and make a collection. It's not a massive collection. It's about 240 pages long, if we're to believe the page count, and I think that's a nice length. I'm not a big fan of enormous anthologies and collections. The commitment required to start new story after new story can be a bit too much to ask a reader over the course of 400 or 500 pages. That's how I feel anyway. Give me a 130-pager or at a push a 250-pager any day of the week. Sometimes less is more, and as it's true about the prose in a short story, it makes sense to me that it should be true about how many pages there should be in a collection.

I won't say much about the pieces inside, other than that if you're read my supernatural-flavoured tales in books and magazines, then you'll have an idea of what they are about. If you haven't read any of those pieces before, then hey, it can be a surprise.

North of Midnight is available as a paperback:

HERE for you if you're in the UK

HERE for you if you're in the USA

and via your own local amazon store if you're in the EU (here's the German link. Here's the French. Both are written in English).

All being well, an ebook version should be available before or around the New Year, via Kobo and Amazon Kindle.

Thanks for reading.

Happy Halloween.



after jerusalem . . . again

This is just a short heads-up to let you know - in case you missed the tweet - that my short story After Jerusalem is now available to read for free on the Sci Phi Journal website.

Click here if you want to read.

Blessings be upon you. 

driftwood and the wyrd

Autumn. Season to bring the poets out  . . . and writers of weird fiction.

Speaking of which . . .
I have a short story in the first issue of The Wyrd Magazine.  Clue's in the name. But all the same, here’s what they say about themselves:

The Wyrd is an online magazine for speculative, weird and slipstream prose. We publish stories that delve into the spaces between genres, that are steeped in the uncanny, and stay with you long after you’ve read them. The Wyrd is published quarterly and will feature established and new authors who like pushing genre boundaries. Reading The Wyrd should be like going for a long ride down a forgotten country road. You never know where you’ll end up, but it’s bound to be interesting. 

Issue one contains tales by Steve Passey, Joanna Roye, Mark Patrick Lynch (that’ll be me), O.S. Delgado, Henry Szabranski, Douglas Ford and Catherine Edmunds.

Sound good to you? You can download issue one for free in PDF by going here. Steve’s story is available to read online here, saving you the fuss of downloading the PDF (even though you should – oh yes, you really should). If you fancy helping to keep the magazine going and paying the writers, then maybe donate the price of a coffee to them through patreon. Click here if you are able to and want to learn more.

My piece is called “Driftwood” and is one of the short-shorts I’ve been writing when all else – sanity and health, the novel I laughingly call “the work in progress”, longer short stories – breaks down into tiny pieces that look like they are impossible to stick back together. It’s not one of my Horatio tales but it has a similar vibe.

So . . . you know . . . just . . . head on over to the Wyrd and grab the PDF.

tickety boo

two carved pumpkin heads glow in the dark
Photo by Beth Teutschmann
If there's one thing I've had no luck with - or frankly just aren't very good at - then it's competitions. I did win one once, when I was but a pale youth with long hair and flares. That was in a colouring competition run by the local paper, and the prize was an Evel Knievel stunt cycle. It was, to be fair, a great prize back then and Evel was every boy's hero. But when it's come to writing competitions, I have had about as much luck as Evel did when he was trying to jump across the Grand Canyon.

To illustrate why, and because it is October and Hallowe'en is due, here's a short short story that was written for a Yorkshire magazine's local haunted stories competition. I don't think it's any worse than the stories that were selected as the winners - but then I wouldn't, would I?

It's called "Tickety Boo!" and it's about 1,000 words long.



TICKETY BOO!


The man sent to photograph ghosts arrived just as evening stole in on the last day of October.
          After a long whining hum that seemed to chime in the air, the railway-line rattled with his coming. Gusts of leaves turned and lifted, falling like a shroud or a sigh, and for a moment there was a sound that might have been an old steam locomotive piping out a trill whistle in the autumn air. But surely that was just the phantom echo of a past age.
           I’d been assigned as the photographer’s tour guide and told to be sure that he went away with what he most wanted. Among my kind – which is to say those of us who still have some influence on this particular night – I wasn’t considered too distracting to play the part.
           If the photographer didn’t match my own preconceived notions when he stepped from his train, then I’m certain that I, sombre and funereal, fitted none of his as I stepped off mine. A short sturdy man who squinted behind his eyeglasses, he wore his hair short and was dressed in corduroy trousers and an open-collared Oxford shirt beneath a v-necked jumper. His jacket was grey and understated and wouldn’t, I thought, offer much insulation for the time of year. A digital camera was looped over his shoulder and he carried hand luggage in the event of an overnight stay. He looked distinctly harried as he left his carriage.
             When the other commuters had faded away, the trains had left, and he stood alone on the platform, I called out to him.
          “Mister James?”
          Startled, he spun around. He had a small nose, but his glasses slid to its curled end as he peered over their frames in my direction.
          “You surprised me,” he confessed, holding up a hand. “I didn’t see you there.”
          I glided from the smoky shadows and presented my card. “Han Duet.”
          He studied the card and then looked me over. “It says here you’re a watch repairer, Mister Deut.”
          “Who better to guide you around the town? It means you won’t be late getting back for your train. Have you been here before? John Betjeman says the station’s architecture is the most splendid in the country. Just tickety.”
          “I’m here to take pictures of Huddersfield’s supposed haunted byways, Mister Deut. And I don’t have a lot of time. This is my last stop in Yorkshire and so far I haven’t captured so much as the suggestion of an apparition on camera. It’s late in the day and you’ll understand if architecture’s not high on my list of priorities.”
          “Of course, of course. That’s tickety.” When I reached for my old pocket-watch and flipped the lid, he lifted his eyebrows in surprise. I tapped the dial and said, “Let’s be on with the tour, shall we?”
          As the thick burn of sunset spread across the sky, we passed beneath the Corinthian pillars of the portico, into St George’s Square, and walked beyond the statue of the former Prime Minister Harold Wilson. The streetlights glowed to life as we proceeded toward Kirkgate. Of course, the stores and restaurants had been decorated for the ghoulish festivities, and already children were to be seen in garish make-up and plastic fangs. The more adventurous had opted for face paintings and the wicked fakeries of terrible scars, as indeed had more than a few adults. The presiding colour-coordination was black and red – the bloodier the red the better. As the night progressed, Mr James the photographer seemed to be the one whose clothing was inappropriate and not my own.
          “The town hall is reputedly haunted,” I told him after we’d exhausted the more famous examples of the town’s supernatural history and had been left wanting for a ghostly materialisation. I delivered a slow, knowing wink. “But the real spirits are only said to come out when the council meets.”
          “Right,” Mr James said disconsolately. “Maybe I’ll just take some shots of these people dressed up for the night. It’s probably the best I’m going to get.”
          “Why, yes, that’d be a tickety idea.” I made sure to stand beyond the reach of his lens and not to get in anyone’s way.
          Mr James photographed some youths who were dressed as Dracula, the Frankenstein monster (complete with neck bolts), and an unravelling Egyptian Mummy. “Say cheese,” he told a woman partygoer next. She pouted rouge lips through the mouth-hole cut in her simple white sheet costume, and an unseemly length of bare leg was revealed as a furry-faced wolfman embraced her. She squealed with delighted laughter as the wolfman howled and the camera flashed.
          But before long even the Hallowe’en revellers were heading home or weaving uncertainly from one pub to another. They were friendly enough but decidedly not in the mood to be captured for immortality’s sake after imbibing a couple too many light ales.
          I led the photographer back to the station. The frontage was lighted to spectacular effect at this hour. It was still a little while to midnight by my watch. As we waited on the platform, Mr James grumbled that his time in the county had been a waste. “Whitby was all wind and rain from the sea. York was stuffed with too many tourists. Harrogate too posh, and Leeds full of students. You’re the only person I’ve met who looks genuinely spooky. You dressed for tonight, I’ll give you that.”
          “Then the least I can offer you is a picture,” I said, mindful of my instructions to see he got what he wanted.
          As he angled his lens to take my portrait, I thought about how puzzled he would be the next morning, when Hallowe’en had ended, to find my profile faded and gone from his picture. We spirits have but our single night a year, and our images do not last beyond it; alas, poor Mr James would be left with nothing more than the backdrop of the railway lines on his camera tomorrow and a host of questions that would never be answered.
          “Say cheese,” he instructed.
          “Oh, I’m not really much of a one for cheese. I’m not a big eater these days.”
          “Then say something else, just be sure to smile. And look … kind of … dead.”
          “Now that’s easy,” I said, perfectly truthfully.
          “Ready?”
          “Tickety,” I said. And then posed. “Boo!”

not another duck



I’m pleased to say I have a new short story available in/on (still not sure how that should go) the fiction webzine With Candlelight. The guys running the zine have got a really great set-up, with a nice easy podcast, and interviews on the site, as well as plenty of stories, mainstream and genre (and those fuzzy bits in between as well as some flash fiction too). It’s well worth a visit and a look around.

My tale is called “Not Another Duck!” and is about 1,500 words long, if I remember correctly. It’s not the first of its kind, so I wanted to say a few words about what’s been going on.

For a while now, when I’ve either been too tired to write anything longer or wanted to write something that could be finished in a single sitting, I’ve been working on a series of pieces featuring the nameless protagonist of this tale and his three-legged dog, Horatio. The series – if that’s really what it is – came about by accident . . . which seems to be the defining feature of most of my writing output.

A good few years ago I wrote a 3,000- word short story called “Walking Horatio.” It didn’t fall into any easily defined genre and wasn’t really mainstream enough to be published in a mainstream venue. But friends who read the piece enjoyed it and that made me want to see it in print. I toyed around with it, adding a crime element to see if it might be possible to sell somewhere. But the tale felt dishonest like that and I reverted back to the original version. I showed it to a couple of mainstream magazines, and the responses were positive, but no money changed hands and the tale didn’t find its way into any of those good publications. So, in the way of these things, I put it aside a little sadly . . . and forgot about it. 

Or at least, I thought I did.

Turns out the characters didn’t want to leave me alone, even if I had thought we weren’t seeing each other any more. I wrote another story about them, thinking when I’d finished that there would probably be a final tale written some time in the future to wrap up a little trilogy of pieces.

Again, I was wrong.

I wrote another tale, and there they were again – one slacker and his dog, Horatio – but it wasn’t the final tale of the loose trilogy I’d imagined it would be.  Okay, I thought. That’s interesting.

Four seemed like an odd number (even though it’s even, as my nameless protagonist would probably point out) for a trilogy, and so, after resisting doing so, I wrote another tale. And then another. Both featuring the narrator and Horatio. I started to think of them as “The Horatio Tales.” But they weren’t the only things I was writing at the time. I wrote a couple of books which you can probably find on eBay or Amazon Marketplace for a penny each, some that you won’t be able to find because they didn’t make it into print, and some other short stories too (some of which have been published, some of which have not). For a  while – maybe a year or more – I didn’t go back to our hero and his dog. After all, although they were fun to write and didn’t take long, I wasn’t selling them . . . or even sending them out to magazines that might have published them. They were beginning to feel like an indulgence. But then, between chapters of novels, or at the end of drafts of other pieces, or just on the occasions where I’d no strength to write something new from scratch, I found myself going back to see how these guys were doing.

Slowly, over the years, new characters made their way into the tales. They kept popping up in other pieces, and I realised I’d got quite a cast of oddballs and sweet innocents I genuinely enjoyed spending time with. Indulgence or not, the reason why you write, ultimately, is for yourself, and I have been doing exactly that with these tales.

I have maybe twenty pieces now, and I still haven’t written the tale that I thought would make up that original trilogy. It’ll happen, I think, possibly later this year or early next, and when it does it won’t be long until I write another couple of Horatio tales to round things out. Then I’ll revise (because you always have to revise) and gather the tales together in a short collection. I’m looking forward to it.

“Not Another Duck!” is one of the Horatio tales. It was written – or at least first drafted – in a single sitting, as most if not all of the Horatio tales has been. I think it’s one of the more recent pieces, written in the last year or two. When I saw that Brandon and Roger were asking for tales that didn’t really fit anywhere else for With Candlelight, for some reason I flashed on this piece and thought it would be worth sending to them. I don’t know why. But I did.

They agreed it was, and you can find it here now. Just scroll down the page and you’ll see it there. Read it for free. And enjoy it. One way or another, there are more of them to come.

after jerusalem

Okay. It's 2017 (why do all years feel like science fiction titles these days?) and it hasn't been a great one so far, for all sorts of reasons. The details are too grim and upsetting to go into, so I won't linger on them. Let's just say I'm not going to forget this one in a hurry and can only hope it gets better as the months pass. We take our happier moments where we can, and we should remember to cherish them. 

And so . . . with that in mind: I have a new story out. Which is always nice to say. It's a quiet little science fiction piece called "After Jerusalem" and was actually written quite a while ago. (I've a feeling it could be ten years old.) It's one of those tales I've always been quite fond of but never been entirely sure what to do with; and so, while deep in prevarication, hadn't really done anything with it . . . for a long time.

But then I found Sci Phi Journal, and the old story popped into my mind as sort of appropriate for the publication. I thought so, anyway. I found the file, gave it a quick polish (look, something ten years old must be improvable in some respects), and emailed it off . . .

. . .  not realising I'd missed the open window for submissions by a week or two.

Luckily the lovely people at Sci Phi Journal promised to read the tale anyway. This is called going above and beyond the call of duty and is a rare gift in publishing. That kindness alone was enough to make me feel the world was a better place than I'd previously feared it was. I just hoped I wasn't wasting their time by giving them yet another tale to read that wasn't approriate and was wasting their time . . .

Fortunately they liked the story enough to want to publish it. (This sometimes feels like it's even rarer than acts of kindness in publishing.) Naturally I was delighted, and am pleased to say you can read it right here. If you can, then please do so. I hope you like it.

Take care.

christmas calories

Time’s ticking. There’s an air of expectancy. It’s coming up on midnight.
Sleet passes outside the window. It hurtles into the city, sparking in the street and office lights.
The nutritionist has stayed late for this. Her clients and staff are gone, leaving her alone in the building. Tonight she’s waiting on a special client. He has a problem with his staff, and it could destroy his delivery targets if it’s not fixed. Even so, this appointment is scheduled for so late an hour that she has experienced major protestations from her family. She knows she has to make it count. This is important stuff.
It would have to be as well, because there’s no other reason she’d miss being with her kids tonight. Tonight of all nights.
The office is dark but for a desk lamp and the nutritionist sits in the half-shadows it casts. She is a dusky, thick-haired woman somewhere in her mid-forties. She wears executive clothes, a business suit over a plain white blouse, but has tiger-patterned heels to show a little quirkiness.
For the last three years she’s been wearing eyeglasses. She knows they suit her; she can lower them to the end of her nose and peer over the frames at someone either seductively or threateningly. Both poses affect people rather to her liking.
Tonight . . . Well, tonight she doesn’t know how it’s going to go, if she’ll need to use them as a prop, though a secret part of her would love to go all seductive on him. As her tightest friends would say, “Imagine the bragging rights . . .!”
She hears a tinkle, right at the edge of her hearing. It’s followed by a thud from upstairs. She chides her foolishness. She should have been watching for him through the window. Right now the sleet has thickened though, and her windows are smeared with furred scratches that bleed water. She rushes over and looks out. There’s nothing but blurs of light and dark, traces of headlamps moving in the sparse traffic below.
Booted feet walk on the floor above her, and then down the stairs. He hasn’t taken the lift. He’s on her level now, and coming her way with heavy, purposeful thuds. There’s a pause and then he’s pushing through the glass doors to the outer office. Earlier she’d made sure they were unlocked. Another three steps - thud, thud, thud - and then another pause. Something in the air suggests he’s just the other side of her door now. The atmosphere is pure magic, seeping through. She feels her heart tremble like it did many years ago at the thought of him. Her blood is high, her cheeks flushing.
She returns to her desk and in as confidant a voice as she can muster, she calls out.
“It’s open. Come in.”
With a jingle and a jangle, the big man enters. He has to squeeze his shoulders and duck to make his way in at the best angle he can manage. He’s cautious about standing all the way up for fear of putting his head through the ceiling tiles, so walks in a careful hunch. He’s taken his hood down, and his white hair spills free, curling at his beard. But still, he is huge.
This is one thing about him that no one tends to mention. His real size. Yes, he’s overweight, and you see that in all the pictures of him, but he carries it well. He’s a giant.
But a friendly giant?
This is the first time she has met him. Truly met him and not one of his helpers. Their correspondence has all been by letter.
He smiles at her, his cheeks rich and rosy like the sweetest red apples you ever ate.
“Hullo, Joanne.” There’s a chuckle in his rumble of a voice, even though they’re here to talk about serious matters.
She can’t help but smile back, though she is trying hard to stay professional. She finds it hard to think of him without using the word “hearty”.
“Hi,” she says, touching the report she’s prepared, acting as if he’s just another client. “Come through, and take a seat.”
He won’t fit in any of the chairs before her desk – even the outsize ones for the sturdier clients referred to her – so she waves a hand to the sofa set at an angle to the wall. When she stays late, she often puts her legs up on it and reads through her reports.
Eyeing it with some suspicion, the giant lowers himself to the sofa. It protests loudly, its internal workings going boing, and wood cracks. A couple of springs burst through the fabric either side of him, pushing foam into the air. He looks settled if not comfortable. A giant in a child’s way.
Joanne says, “You’re here alone? Your helper, he’s . . .?”
“Looking after the ride,” the big man says. “He doesn’t know why we’ve stopped here. I’ve explained it’s a little extra business, something I need to tidy up. I’m worried about him though, he seems to be deteriorating quickly. He has an enormous stomach where before he was thin and fleet.” Aware his own stomach is not exactly insubstantial, he pats it a little guiltily and sucks it in. “And he’s very sluggish, puffing and panting when he walks very far. He sleeps a lot. If you’ve answers, I’d like to hear them. And I’ll just remind you that it’s a busy night for me, so you’ll understand if I’ve to rush you.”
Joanne nods and stands up, collecting the papers in the file before her. She walks around the front of her desk and hitches up a leg and sits on its edge, facing her client, serious expression on her face.
Leafing through the statistics even though she knows them by heart, she says, “Okay, the short of it is that while you are fine on your diet—”
“Should think so too,” he says, traces of his ever-present humour in his voice.
“—your ‘helper’ is, from a nutritionist’s point of view, in a seriously bad state. For one, as an example, his cholesterol is dangerously high. It’s only going to get worse unless you put him on a balanced diet. More fresh fruit and vegetables, regular roughage, and I’d suggest a good amount of white meats. Also, though your alcohol intake is frankly off the scale, it seems to have had no affect on your liver or other vital systems. Your ‘helper’ doesn’t have the same sturdy constitution that you’ve been blessed with. His blood sugar levels are far too high and the blood tests have hinted at other potential problems.”
She slips her glasses to the end of her nose, peers sternly at her client. “Do you understand what I’m saying?”
He nods slowly. “Fewer drinks for him, you’re saying. Keep off the sherry.”
Far fewer drinks for him,” Joanne stresses. “Have him count the calories and not exceed the recommendations I’ve made for him. Cut out as much sugar as possible. And I’m serious,” she says over her glasses again, giving him the scary look and holding it. Even he seems troubled by it for a few seconds.
Eventually though, the big man smiles and nods. “Very well. Message received and understood. And as long as he does that, he’ll be fine?”
“I should imagine so, if he sticks to his new action plan. Here, I’m made a list of foods and some exercises he should follow and adhere to. They’re at the back of the folder.”
She hands him her report, with all its recommendations.
“Thank you, Joanne. I knew I was right bringing this to your attention. You were always a good girl. One of my favourites, you know.”
Having got what he’s come for, he rises to his feet, remembering at the last to duck and not put his white-haired head through the ceiling tiles. (She’d have a hard time explaining that to the building’s maintenance team, Joanne thinks.) The sofa he’s just vacated is dead, and seeing so he smiles in chagrin, then hunkers up his britches, pulling tightly on the thick belt he wears around his middle. His jacket is fringed at the collar and cuffs with pale almost luminescent fur and Joanne has to will herself not to reach out and stroke it.
The big man scratches his beard thoughtfully, and says, “So finally, to go over it again. No more mince pies for him, and keep off the sherry, that’s right? Even though we only do this one night a year. And he’ll be all right?”
“Along with some exercise, which wouldn’t go amiss. The ones I’ve described in my report for you.”
He nods again, thoughtfully but with a smile, and pats the report.
Joanne can’t resist it, and says, “Believe me, I’m an expert. And I’m telling you the truth when I say that all that bad food’s not good for your Elf.”
The big man pauses to let the pun fall flat, groans happily then, and says, “Ho, ho, ho,” rather mechanically. He winks at her and with three tugs on his beard is stooping out of the door and gone.
Joanne puts her hands to her heart, not ready to release the magic she feels there, and listens to him make his way back up the stairs.
A minute later there’s a rush of sound, the sound of many hooves dragging a heavy object across the roof, and it rips down through the building to Joanne. This time she doesn’t forget. She dashes to the window, presses her fingers against the glass, wishing she could open it for a better view. She feels a thrill she hasn’t felt since she was a child, the same delirious emotions she imagines her own children must have felt this evening, and perhaps still are if they’re sneakily trying to remain awake to catch a glimpse of Santa.
She searches the sky through the bleary smears on the glass but sees nothing, only that the sleet has turned, thinning for a moment, to snow. Flake after flake after flake coming down.
Her disappointment lasts only a moment. Sleigh bells jingle through the night, high above, and a rich, laughing voice cries, “Ho, ho, ho.”
When she finally leaves the window, she sees a large parcel squeezed - as if by magic - into the middle of her office.
“How . . .?”
But she knows she shouldn’t ask. She just laughs. It’s in the shape of a new couch.
The tag reads,
Merry Christmas, Joanne.
A good girl always.
Love Santa.
PS - Leave out the sherry and only one tumbler and mince pie next year.

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