___WORDS FROM ME_____________________________________
Showing posts with label free fiction. Show all posts
Showing posts with label free fiction. Show all posts

a little bite of christmas

Season's greetings, one and all.
Yup. It's that time of the year, folks, when I get to remind you that in the Free Fiction section of this blog you can read a short Chrismas story . . . For Free!

I know, I'm so giving . . .

It's called "Christmas Calories", and you can get to it easily by clicking Here.

Merry Christmas, "Ho, ho, ho," and all of that.

Mark

the deception glass


So I’ve been quiet. Or I have been as far as the e-ther is concerned. Has anyone noticed? Probably not. And fewer have probably cared. But such is life.


I have been a bit lax, though, I must admit, in recording a few more blog entries. And at least one is deserved.

Which of course you can take either way . . .

So. Deserved or not, here we are.

As sales of my YA/portal fantasy novel A Clash of Ichor and Blood roared off to a terrible start and then declined rapidly, I put up a bit of a promotional ebook short story on a couple of ebook retailers’ sites. It’s a piece called "The Deception Glass", and like A Clash of Ichor and Blood, it’s low-fantasy. And just what, I hear you ask, is low-fantasy? It’s essentially fantasy linked to a real-world setting, in the way that CS Lewis’s fantasies were, rather than set in the high-fantasy realm of Tolkien’s otherworldly Lord of the Rings. To use but two of the most famous examples.

"The Deception Glass" is just shy of 7,000 words, and comes with the first few chapters of A Clash of Ichor and Blood with it, to tempt the unwary into parting with the price of, oh, say a cup of tea and a half for the ebook . . . or a few notes more for a rather handsome and nicely designed UK trade paperback edition. Or US trade paperback edition for that matter.

If you are wise and lucky enough to be a Kobo owner (or at least have installed the Kobo reading app on your smart device of choice and/or affordability) then you can own a copy of "The Deception Glass" for free. If however, you are one of the crowd and have opted for the big river company Kindle e-reader (or app) I am afraid that – as of the moment – it’ll cost you money. Less than most places will sell you a cup of tea for, it’s true, but it’s still money.

Why does one cost money and the other not? Simply because Amazon doesn’t allow you to list books for free. Pretty much all the titles you see on there for nothing have been price-matched to a competitor’s price. So if someone gives a tale or book away for free on Kobo, it can take a while for Amazon to follow suit. If enough people get in touch with Amazon and say, Oi, it’s free on Kobo, then they might knock the price down to free. But I have no real say in this in relation to my tale.

It is my intention to put perhaps a slightly longer version of "The Deception Glass" into a collection at some point (yeah, yeah – always in the future with you, Lynchy. . .), but for now it’s my hope that someone somewhere might stumble across it, maybe download it, maybe even read, and perhaps – long shot – like it . . . and then buy A Clash of Ichor and Blood after reading it. They might even put up a nice review for it. Who knows?

If not, then not. But a boy has to hope.

Anyway, the image of A Clash of Ichor and Blood over to the right on this screen should have links to the ebook versions of the novels.

 Here's a link to the UK free version of The Deception Glass. (Click on this, no matter which country you are in, and theoretically it should take you to the Kobo free version in your own land. If that doesn't work, there are links in the Free Fiction section of this website.) Also, while we're at it, here's a  link to the UK Amazon version. The image of the short on the right hand sidebar should have links too. I sincerely appreciate any purchase, whether you pay for it or not.

In the meantime, what else have I been doing? Getting iller, slowly going about the process for getting checked for cancer (something which may well curtail the future plans I mentioned above, depending on the results, should I actually find the strength to get through the tests), somehow staggering over the line with a second draft of a new book that may or may not be called Tindermass if it is ever to see the light of day, and trying to look after people and myself as best I can. It ain’t easy, believe me. I had a nice few days away with my special one, up in the Lake District, and the sun was quite kind too. What does tomorrow bring? Time of its own, long or short.

Take care.

after jerusalem . . . again

This is just a short heads-up to let you know - in case you missed the tweet - that my short story After Jerusalem is now available to read for free on the Sci Phi Journal website.

Click here if you want to read.

Blessings be upon you. 

driftwood and the wyrd

Autumn. Season to bring the poets out  . . . and writers of weird fiction.

Speaking of which . . .
I have a short story in the first issue of The Wyrd Magazine.  Clue's in the name. But all the same, here’s what they say about themselves:

The Wyrd is an online magazine for speculative, weird and slipstream prose. We publish stories that delve into the spaces between genres, that are steeped in the uncanny, and stay with you long after you’ve read them. The Wyrd is published quarterly and will feature established and new authors who like pushing genre boundaries. Reading The Wyrd should be like going for a long ride down a forgotten country road. You never know where you’ll end up, but it’s bound to be interesting. 

Issue one contains tales by Steve Passey, Joanna Roye, Mark Patrick Lynch (that’ll be me), O.S. Delgado, Henry Szabranski, Douglas Ford and Catherine Edmunds.

Sound good to you? You can download issue one for free in PDF by going here. Steve’s story is available to read online here, saving you the fuss of downloading the PDF (even though you should – oh yes, you really should). If you fancy helping to keep the magazine going and paying the writers, then maybe donate the price of a coffee to them through patreon. Click here if you are able to and want to learn more.

My piece is called “Driftwood” and is one of the short-shorts I’ve been writing when all else – sanity and health, the novel I laughingly call “the work in progress”, longer short stories – breaks down into tiny pieces that look like they are impossible to stick back together. It’s not one of my Horatio tales but it has a similar vibe.

So . . . you know . . . just . . . head on over to the Wyrd and grab the PDF.

not another duck



I’m pleased to say I have a new short story available in/on (still not sure how that should go) the fiction webzine With Candlelight. The guys running the zine have got a really great set-up, with a nice easy podcast, and interviews on the site, as well as plenty of stories, mainstream and genre (and those fuzzy bits in between as well as some flash fiction too). It’s well worth a visit and a look around.

My tale is called “Not Another Duck!” and is about 1,500 words long, if I remember correctly. It’s not the first of its kind, so I wanted to say a few words about what’s been going on.

For a while now, when I’ve either been too tired to write anything longer or wanted to write something that could be finished in a single sitting, I’ve been working on a series of pieces featuring the nameless protagonist of this tale and his three-legged dog, Horatio. The series – if that’s really what it is – came about by accident . . . which seems to be the defining feature of most of my writing output.

A good few years ago I wrote a 3,000- word short story called “Walking Horatio.” It didn’t fall into any easily defined genre and wasn’t really mainstream enough to be published in a mainstream venue. But friends who read the piece enjoyed it and that made me want to see it in print. I toyed around with it, adding a crime element to see if it might be possible to sell somewhere. But the tale felt dishonest like that and I reverted back to the original version. I showed it to a couple of mainstream magazines, and the responses were positive, but no money changed hands and the tale didn’t find its way into any of those good publications. So, in the way of these things, I put it aside a little sadly . . . and forgot about it. 

Or at least, I thought I did.

Turns out the characters didn’t want to leave me alone, even if I had thought we weren’t seeing each other any more. I wrote another story about them, thinking when I’d finished that there would probably be a final tale written some time in the future to wrap up a little trilogy of pieces.

Again, I was wrong.

I wrote another tale, and there they were again – one slacker and his dog, Horatio – but it wasn’t the final tale of the loose trilogy I’d imagined it would be.  Okay, I thought. That’s interesting.

Four seemed like an odd number (even though it’s even, as my nameless protagonist would probably point out) for a trilogy, and so, after resisting doing so, I wrote another tale. And then another. Both featuring the narrator and Horatio. I started to think of them as “The Horatio Tales.” But they weren’t the only things I was writing at the time. I wrote a couple of books which you can probably find on eBay or Amazon Marketplace for a penny each, some that you won’t be able to find because they didn’t make it into print, and some other short stories too (some of which have been published, some of which have not). For a  while – maybe a year or more – I didn’t go back to our hero and his dog. After all, although they were fun to write and didn’t take long, I wasn’t selling them . . . or even sending them out to magazines that might have published them. They were beginning to feel like an indulgence. But then, between chapters of novels, or at the end of drafts of other pieces, or just on the occasions where I’d no strength to write something new from scratch, I found myself going back to see how these guys were doing.

Slowly, over the years, new characters made their way into the tales. They kept popping up in other pieces, and I realised I’d got quite a cast of oddballs and sweet innocents I genuinely enjoyed spending time with. Indulgence or not, the reason why you write, ultimately, is for yourself, and I have been doing exactly that with these tales.

I have maybe twenty pieces now, and I still haven’t written the tale that I thought would make up that original trilogy. It’ll happen, I think, possibly later this year or early next, and when it does it won’t be long until I write another couple of Horatio tales to round things out. Then I’ll revise (because you always have to revise) and gather the tales together in a short collection. I’m looking forward to it.

“Not Another Duck!” is one of the Horatio tales. It was written – or at least first drafted – in a single sitting, as most if not all of the Horatio tales has been. I think it’s one of the more recent pieces, written in the last year or two. When I saw that Brandon and Roger were asking for tales that didn’t really fit anywhere else for With Candlelight, for some reason I flashed on this piece and thought it would be worth sending to them. I don’t know why. But I did.

They agreed it was, and you can find it here now. Just scroll down the page and you’ll see it there. Read it for free. And enjoy it. One way or another, there are more of them to come.

christmas calories

Time’s ticking. There’s an air of expectancy. It’s coming up on midnight.
Sleet passes outside the window. It hurtles into the city, sparking in the street and office lights.
The nutritionist has stayed late for this. Her clients and staff are gone, leaving her alone in the building. Tonight she’s waiting on a special client. He has a problem with his staff, and it could destroy his delivery targets if it’s not fixed. Even so, this appointment is scheduled for so late an hour that she has experienced major protestations from her family. She knows she has to make it count. This is important stuff.
It would have to be as well, because there’s no other reason she’d miss being with her kids tonight. Tonight of all nights.
The office is dark but for a desk lamp and the nutritionist sits in the half-shadows it casts. She is a dusky, thick-haired woman somewhere in her mid-forties. She wears executive clothes, a business suit over a plain white blouse, but has tiger-patterned heels to show a little quirkiness.
For the last three years she’s been wearing eyeglasses. She knows they suit her; she can lower them to the end of her nose and peer over the frames at someone either seductively or threateningly. Both poses affect people rather to her liking.
Tonight . . . Well, tonight she doesn’t know how it’s going to go, if she’ll need to use them as a prop, though a secret part of her would love to go all seductive on him. As her tightest friends would say, “Imagine the bragging rights . . .!”
She hears a tinkle, right at the edge of her hearing. It’s followed by a thud from upstairs. She chides her foolishness. She should have been watching for him through the window. Right now the sleet has thickened though, and her windows are smeared with furred scratches that bleed water. She rushes over and looks out. There’s nothing but blurs of light and dark, traces of headlamps moving in the sparse traffic below.
Booted feet walk on the floor above her, and then down the stairs. He hasn’t taken the lift. He’s on her level now, and coming her way with heavy, purposeful thuds. There’s a pause and then he’s pushing through the glass doors to the outer office. Earlier she’d made sure they were unlocked. Another three steps - thud, thud, thud - and then another pause. Something in the air suggests he’s just the other side of her door now. The atmosphere is pure magic, seeping through. She feels her heart tremble like it did many years ago at the thought of him. Her blood is high, her cheeks flushing.
She returns to her desk and in as confidant a voice as she can muster, she calls out.
“It’s open. Come in.”
With a jingle and a jangle, the big man enters. He has to squeeze his shoulders and duck to make his way in at the best angle he can manage. He’s cautious about standing all the way up for fear of putting his head through the ceiling tiles, so walks in a careful hunch. He’s taken his hood down, and his white hair spills free, curling at his beard. But still, he is huge.
This is one thing about him that no one tends to mention. His real size. Yes, he’s overweight, and you see that in all the pictures of him, but he carries it well. He’s a giant.
But a friendly giant?
This is the first time she has met him. Truly met him and not one of his helpers. Their correspondence has all been by letter.
He smiles at her, his cheeks rich and rosy like the sweetest red apples you ever ate.
“Hullo, Joanne.” There’s a chuckle in his rumble of a voice, even though they’re here to talk about serious matters.
She can’t help but smile back, though she is trying hard to stay professional. She finds it hard to think of him without using the word “hearty”.
“Hi,” she says, touching the report she’s prepared, acting as if he’s just another client. “Come through, and take a seat.”
He won’t fit in any of the chairs before her desk – even the outsize ones for the sturdier clients referred to her – so she waves a hand to the sofa set at an angle to the wall. When she stays late, she often puts her legs up on it and reads through her reports.
Eyeing it with some suspicion, the giant lowers himself to the sofa. It protests loudly, its internal workings going boing, and wood cracks. A couple of springs burst through the fabric either side of him, pushing foam into the air. He looks settled if not comfortable. A giant in a child’s way.
Joanne says, “You’re here alone? Your helper, he’s . . .?”
“Looking after the ride,” the big man says. “He doesn’t know why we’ve stopped here. I’ve explained it’s a little extra business, something I need to tidy up. I’m worried about him though, he seems to be deteriorating quickly. He has an enormous stomach where before he was thin and fleet.” Aware his own stomach is not exactly insubstantial, he pats it a little guiltily and sucks it in. “And he’s very sluggish, puffing and panting when he walks very far. He sleeps a lot. If you’ve answers, I’d like to hear them. And I’ll just remind you that it’s a busy night for me, so you’ll understand if I’ve to rush you.”
Joanne nods and stands up, collecting the papers in the file before her. She walks around the front of her desk and hitches up a leg and sits on its edge, facing her client, serious expression on her face.
Leafing through the statistics even though she knows them by heart, she says, “Okay, the short of it is that while you are fine on your diet—”
“Should think so too,” he says, traces of his ever-present humour in his voice.
“—your ‘helper’ is, from a nutritionist’s point of view, in a seriously bad state. For one, as an example, his cholesterol is dangerously high. It’s only going to get worse unless you put him on a balanced diet. More fresh fruit and vegetables, regular roughage, and I’d suggest a good amount of white meats. Also, though your alcohol intake is frankly off the scale, it seems to have had no affect on your liver or other vital systems. Your ‘helper’ doesn’t have the same sturdy constitution that you’ve been blessed with. His blood sugar levels are far too high and the blood tests have hinted at other potential problems.”
She slips her glasses to the end of her nose, peers sternly at her client. “Do you understand what I’m saying?”
He nods slowly. “Fewer drinks for him, you’re saying. Keep off the sherry.”
Far fewer drinks for him,” Joanne stresses. “Have him count the calories and not exceed the recommendations I’ve made for him. Cut out as much sugar as possible. And I’m serious,” she says over her glasses again, giving him the scary look and holding it. Even he seems troubled by it for a few seconds.
Eventually though, the big man smiles and nods. “Very well. Message received and understood. And as long as he does that, he’ll be fine?”
“I should imagine so, if he sticks to his new action plan. Here, I’m made a list of foods and some exercises he should follow and adhere to. They’re at the back of the folder.”
She hands him her report, with all its recommendations.
“Thank you, Joanne. I knew I was right bringing this to your attention. You were always a good girl. One of my favourites, you know.”
Having got what he’s come for, he rises to his feet, remembering at the last to duck and not put his white-haired head through the ceiling tiles. (She’d have a hard time explaining that to the building’s maintenance team, Joanne thinks.) The sofa he’s just vacated is dead, and seeing so he smiles in chagrin, then hunkers up his britches, pulling tightly on the thick belt he wears around his middle. His jacket is fringed at the collar and cuffs with pale almost luminescent fur and Joanne has to will herself not to reach out and stroke it.
The big man scratches his beard thoughtfully, and says, “So finally, to go over it again. No more mince pies for him, and keep off the sherry, that’s right? Even though we only do this one night a year. And he’ll be all right?”
“Along with some exercise, which wouldn’t go amiss. The ones I’ve described in my report for you.”
He nods again, thoughtfully but with a smile, and pats the report.
Joanne can’t resist it, and says, “Believe me, I’m an expert. And I’m telling you the truth when I say that all that bad food’s not good for your Elf.”
The big man pauses to let the pun fall flat, groans happily then, and says, “Ho, ho, ho,” rather mechanically. He winks at her and with three tugs on his beard is stooping out of the door and gone.
Joanne puts her hands to her heart, not ready to release the magic she feels there, and listens to him make his way back up the stairs.
A minute later there’s a rush of sound, the sound of many hooves dragging a heavy object across the roof, and it rips down through the building to Joanne. This time she doesn’t forget. She dashes to the window, presses her fingers against the glass, wishing she could open it for a better view. She feels a thrill she hasn’t felt since she was a child, the same delirious emotions she imagines her own children must have felt this evening, and perhaps still are if they’re sneakily trying to remain awake to catch a glimpse of Santa.
She searches the sky through the bleary smears on the glass but sees nothing, only that the sleet has turned, thinning for a moment, to snow. Flake after flake after flake coming down.
Her disappointment lasts only a moment. Sleigh bells jingle through the night, high above, and a rich, laughing voice cries, “Ho, ho, ho.”
When she finally leaves the window, she sees a large parcel squeezed - as if by magic - into the middle of her office.
“How . . .?”
But she knows she shouldn’t ask. She just laughs. It’s in the shape of a new couch.
The tag reads,
Merry Christmas, Joanne.
A good girl always.
Love Santa.
PS - Leave out the sherry and only one tumbler and mince pie next year.

the best of unsung stories


For a while now Unsung Stories have been publishing, quietly and without any fuss, some really great short stories and books. Their fiction titles are available to buy here and they run a really neat free-subscription service with a new, usually terrific, short story delivered to your inbox every other week. You can sign up for free - not that I'm going to labour that point, honest - by clicking through to here.

If that isn't enough to encourage you to sign up - for free, I remind you - to their subscription list, then being kindly and generous people they have now collected some of the tales that have appeared on their site (and in your inbox if you have already signed up) in a DRM-free ebook, for you to enjoy on your e-reader or device of choice. They're calling it the Best of Unsung Shorts So Far . . .

And you know what? They're giving that away free of charge too.





As they themselves say, "Unsung Stories publish speculative fiction. This means science fiction, fantasy and horror, but especially the fuzzy bits between these genres: hard and soft sci-fi, high and low fantasy, slipstream, alternative history, steampunk, cyberpunk, weird fiction and anything else that defies expectation."

If you like, they're offering the unexpected, something a little bit different. So I hear you ask, If it's unexpected, Mark, what can I expect to find in the book?

Here's the answer.

'Heroics' by Ilana Masad
'Stabbed in the Neck by Dot Cotton' by Daniel Carpenter
'From the Neck Up' by Aliya Whiteley
'What the Light Washed Away' by Joshua Sczykutowicz
'Book Boy' by Zack Graham
'Ouroboros' by Cassandra Khaw
'Charmed and Strange' by Maggie Secara
'Build a Cat' by Peter Haynes
'Quert' by Matt Thompson
'Fashioning Trees' by Mark Patrick Lynch*

Sounds good to me. 

If you fancy a free copy, in either mobi or epub format, just click here.

Did I mention it's free?

Oh, I did.

Okay.

But, you know, just in case you missed that bit -- it's FREE!


* That last one's me. So this is my declaration of an interest. And while we're at it, a big hello to Jason Isaacs.

fashioning trees

Those of you -- I say this as if more than one person is reading, but what the hell, let's carry on with the unfounded optimism, it is the New Year after all -- who read my last blog entry may remember I promised (or threatened, depending on your point of view) that if you signed up to the Unsung Stories free subscription service one of my short stories would be deliverered in handly little html to your chosen recepticle. I also said it would be before Christmas.

Well, as they say, a funny thing happened on the way to the Internet . . .

Quite rightly, Gary Budden and the guys from Unsung decided that my tale wasn't exactly in the Christmas spirit, didn't want to be responsible for making people depressed for the holidays, and held the tale over to the New Year. Possibly they did this as a service, you might think, so that folk who were still hung over from the festive season and facing the cruel months of winter would realise things couldn't get any worse and that, having read my piece, could face the future with optimism and a driving sense of purpose. Whatever the reason, I'm glad the tale is with them. They're a young but quality brand. As I said in my last entry (or should have done if I didn't), Unsung have put up some really good stories, and the backlist of tales is well worth checking out on their website.
I'm flattered to have been included in their line-up.

If you haven't signed up for the free tale once every two weeks, then you can do so now by clicking here and filling in your details.

So. My tale. My story for Unsung is called "Fashioning Trees." It's an odd little thing, and I don't really know where it came from. I just had an image in my head one morning of someone looking out of a window and seeing someone tending to a garden . . . or something horticultural anyway. The rest followed on from that. Apply fingers to keyboard, rattle keyboard a while, see what happens. I can't say that it's the most effective and intellectual way of writing a story. But, you know, sometimes it works.

Want to read my tale online, rather than in your email window? Sure, you can. Click here.
Hope you like it.

And Happy New Year.

As Mr Lennon said, Let's hope it's a good one.

this land of shadow

It’s September and the seasons are shifting, we’re moving from one world to another. Summer’s fading. The first chills of autumn have been slipping in beneath the warmth of the sun. The trees have begun to light up.


I have a new story out. It’s appropriate, sort of, for the time of year when the seasons shift, when we move from one world to another.

It’s a piece called “This Land of Shadow” and it’s been on my hard drive for quite a while. Why so? Because I’ve never been entirely sure what to do with it. There was no obvious market for the tale, even though it is a dark fantasy piece and there should have been somewhere for it. But it seemed to not quite fit anywhere.

And then I found NewMyths.com. Suddenly I had somewhere to send it, and send it I did. And showing either very good taste or a major lapse in judgement (depending on your taste) editor Susan Shell Winston has published it in issue 28.

Here we have the opening:

Well, that’s done it.”
The tall man who had spent so much of his life confined and chained kicked out with his boot, connecting with the flat. It was something that for ordinary folks could have been a mild inconvenience, a problem solved by a jack and tyre-wrench. But this boat didn’t carry a spare. You opened the trunk and there was nothing but a mocking emptiness, like the grin of a toothless idiot mugged for a wallet containing only a library card.


If you’d like to carry on reading the tale, all you gotta do is click here. I hope you like it. Thanks to Susan for selecting and editing it, and to Scott T Barnes for publishing it.

And if you’d like to read the answers to some questions put to me on the NewMyths.com website – and see a picture of Millie the dog – you can click here.

(For those of you who were wondering, Millie’s the one who isn’t wearing the sunglasses. Yeah, yeah – feel free, mock on . . .)

a song about the end of the world

So here’s a wee piece of flash fiction. A Song About the End of the World’s a whimsical piece about the end of the world, whales, witches, and failing at flying broomsticks. In a moment of weakness, Charles Christian, a dashing fellow if we’re to believe his picture hasn't been photo-shopped, very kindly included it in his online zine, freshly re-branded from GrievousAngel to SciFi-and-Fantasy.land. Give him your support by reading the stuff he puts up there.

Here’s the opening paragraph of my tale:

My girlfriend told me the world was going to end. She’d heard about it from the whales. She understood their song and had been listening in while she took a bath, surrounded by scented candles. 

The story’s a short one, a scant few hundred words, so it won’t take you long to read. It might make you smile, it might not make you smile. The only way to find out is to sweep your eyes over it and see.


To do that, all you gotta do is click here.

mad scientist journal, spring 2014 ebook

Anyone who's been reading this blog -- which I reckon amounts to two guys in the Australian Outback and a mule somewhere in the deep forests of Montana -- might remember I had a short story called "We Shall Make Monsters" up on the Mad Scientist Journal site earlier this year. You can still read that tale, completely free of charge, by clicking here.

But if you'd rather read the piece on your trusty e-reader, along with the other tales that appeared in spring of this year, then you can buy for very little money a copy from Smashwords here. Or by going to Amazon.co.uk here. In a few weeks' time, the tale should blow through onto the Kobo store. I'll put in a direct link when it's appropriate.

Jeremy Zimmerman and Dawn Vogel have done the editing and compiling. Big cheer for them and raise your glass in their honour.

dr aljimati, professor of the forlorn sky

The good folks over at Bad Dream Entertainment have been kind enough to publish one of my short stories. Editor in-chief Brett Reistroffer (here's one of his short stories) went the extra mile in helping out with a good edit. (I didn't know, for instance, that the plural of ballast is ballasts. You learn something new every day. Brett caught my mistake - among other bits and pieces that needed a twiddle - thus helping to make me look better, and there's nothing finer that an editor can do for you than to make you look sweeter and smarter. Thanks, Brett!) The story's all the better for his guiding hand.

Anyway, my short story is called "Dr Aljimati, Professor of the Forlorn Sky," and here're the opening paragraphs.

I’m near the barrier before La Vite comes in. I’m here early. The crowds will arrive later. They will gasp and sigh at the lines of the rail network’s answer to supersonic passenger flights.
Beside me is a dusky coloured man in a tired suit that doesn’t quite fit. It’s worn to a shine at the elbows and knees, mottled across the shoulders with what I imagine is chalk-dust rather than an excess of dandruff. Through professional necessity I’ve become something of a people watcher, and I take this gentleman’s measure from the edge of my eye, fielding more direct glances as I pretend to look around the station concourse. If he notices me watching him, he doesn’t appear to care.

You can carry on reading by clicking here.

I hope you do, and I hope you like it.

calling time on candy

Here's another short story that can be read free of charge, either by going up to the Free Fiction page or by clicking here. This one's published by the lovely people over at PerihelionSF. A really nice site with lots of stories for you to enjoy at your leisure.

Calling Time on Candy's one of those tales where you hope any satire you've dropped in doesn't get in the way of the reader's enjoyment of the piece.

Here are the first lines:

We were calling time on Candy. Things had just got to that point.

It was sad to see. But that’s always been the way when something like this happens. It’s the one thing that doesn’t change, even if everything else does. Sometimes it’s a surprise and sometimes not, but it’s always, always sad to see.

I heard about it over breakfast, from my girlfriend.

“Hey, Clay, you’re never going to guess. We’re calling time on Candy.”

“What, Candy Novak? You’re kidding.” I shook my head and pushed my eyeglasses to the bridge of my nose, blinked hard. “I thought she’d be around forever. Well ... years more at least. Candy. You’re sure?”

“I know. It’s so hard to believe, isn’t it?”

It was in the papers when they loaded that morning. Or rather it wasn’t, because remember—we were calling time on Candy.

I turned the smart-sheets, ignoring dancing emoticons and holo-logos, and tried to find stories about her causing scandal and getting caught. But she was invisible. Not a word, no picture, not a ping. Web trace negative.

She was gone, called time on.

Continue reading.

I hope you like it.

generosity, encouragement, and dreams and those who would have you avoid them

I read something on Twitter the other week that left the proverbial sour taste in my mouth. It wasn’t a tweet from someone I follow. I saw it because it had been retweeted by a writer I’ve normally a lot of time for, presumably because this writer approved of its message. Well, what struck me about this particularly sour missive was that it wasn’t particularly generous, or all that necessary.

(Of course, you could argue that there are very few tweets on Twitter that are necessary, and I couldn’t say you’re wrong.)

This tweet stuck with me because I’d just been reading Shadow Show, a collection of short stories written in honour of and as homage to Ray Bradbury. The collection carries story notes and thoughts about Bradbury by each contributor. What struck me was how generous Bradbury had been to those writers in the collection who had written to him or encountered him at some point in their lives. He was enthusiastic, he encouraged them to follow their dreams and to write, write, write. He warned against the nay-sayers, asking who were they to deny you your dream.

A good number of contributors to that collection say they became writers through Ray Bradbury and his example.

By contrast, the tweet I read was less than encouraging to new writers. I won’t reproduce it here, because I don’t particularly want to bring that tweeter any grief. (And hey, a tweet can be written in a thoughtless moment and regretted later.) But the tweet basically said that people who give their fiction away for free are doing so because it’s not good enough and no one would buy it.

That was the general gist of it.

Doesn’t seem so cruel, put like that, and maybe I was over-reacting when I saw it.

But underlying the tweet was the implication that such people should not be writing in the first place, let alone trying to build a dream from the ground up, in the face of whatever shifting plate tectonics and searing hurricanes make up their world.

There are, alas, plenty of people who believe – or fear – that their success comes at the expense of someone else’s. They’re probably very insecure about their position in one way or another, about their talent and all the rest. They’re quick to pull ladders up behind them, or take an axe to the rungs they’ve just climbed. To discourage others, they’ll come up with things like “They say everyone has a novel in them – and in most cases that’s where it should stay,” and sprout such phrases often and at every opportunity.

By contrast there are people like Ray Bradbury, who says do it, write, give your work to the world. Don’t let others deny you your dream.

I’ve given stories away for the payment of a contributor’s copy of the magazine in which I’ve appeared. Normally such magazines have been small-press publications. It was useful to see my work in print, to examine a tale that has been published and to see what worked and what didn’t. Often, but not always, the stories I gave away received good write-ups and some were cited as notable tales in Year’s Best summaries.

I’ve also been paid for my fiction in the traditional manner, and that certainly feels nicer. But the truth is that often the margin of quality between a piece that’s been bought for a couple hundred dollars and a piece that’s going to result in a contributor copy is negligible, if noticeable at all. Often it’s simply a question of market forces and the commercial viability of the magazine/anthology. If people buy the publication and enough of a market for the kind of fiction it’s publishing exists, then there’ll be money in it.

If not, then you’ll be doing it for the love of it. You could make yourself feel better about that by calling yourself an artist. But I wouldn’t, if I were you. You’ll just sound like an arsehole.

Better to keep writing, keep looking for places that’ll take your work, better to keep dreaming.

And you know, damn it, if when everyone in the world has said no to you about your story or your book, then do as Lee Child suggested in a radio interview with Jon Gaunt some years ago on talkSport radio here in the UK. Print it up yourself, give it away to friends as a Christmas present, put a new shelf up in the living room and fill it with your book, so that everyone who visits can see it. Because it was your dream, and you’ve done the work, and made it real. It’s yours to be proud of.

And all those who said you couldn’t do it, that you shouldn’t be doing it . . . well, you know, fuck em.

Listen to Ray Bradbury instead.

(As an aside, when I made my first sale overseas, I’d wondered how payment would work. This was in the days before the prevalence of PayPal and electronic banking. The answer came by way of a flush of ten dollar bills stuffed in my contributor copies coming through the post. This is, I’ve since learned, not the usual way these things are done, and it hasn’t happened to me since!)

And here’s a little STOP THE PRESSES for you.

The person who retweeted the message that inspired (or negatively inspired) this post is at the moment offering a book for free in a promotional offer.

Funny old world, isn’t it?

in the white of the snow



Here’s a short story, available to read for free on the Daily Science Fiction website. It’s actually a fantasy piece, rather than a science fiction piece, but free thinkers that the editors Jonathan and Michele are, they’ve been nice enough to publish it on their site.

Daily Science Fiction publishes a story every weekday, with a big email subscribers list, ensuring that anyone who’s signed up – for free, too, they’re not charging you  - gets a new short story, usually short enough to read in five or ten minutes, delivered into his inbox Monday to Friday. Can’t say fairer than that. Free subscription sign up here. Writers can find submissions guidelines and payment rates here.  

IN THE WHITE OF THE SNOW by Mark Patrick Lynch


In the white of the snow, dusk-stained and bordering on invisible, the footprints were increasingly harder to follow. The curled moon was of little use to see by. It turned the land grey. Clouds would soon make everything dark. We’d have to use our electric torches then, and that could ruin it all.

“We’re too slow. We’re not going to make it.” Prentice halted, bringing me to a stop also. He paused to reclaim his breath. “Once we’re in the wood it’ll be like midnight. We’ll never find her.”

Continue reading by clicking here.

Or you can go through the Free Fiction section to get to it.

© M P Lynch. Powered by Blogger.

©Mark Patrick Lynch 2012-2025

Created by Silver Moose Designs