the beardy one
Sunday 2 February 2014–
Iain Banks,
Iain M Banks,
New Scientist,
The Hydrogen Sonata,
The Quarry
When
everything's done, with hindsight playing its part, the human need to find
patterns and to put meaning into the ineffable, you look for signs and see
things that aren't there.
Reading
the final SF novel of Iain M Banks, The Hydrogen Sonata, with its transcendence
maguffin, and then his final mainstream book, The Quarry (as Iain Banks), in which one of the
main characters is dying of cancer, you could be forgiven for thinking that
Banks's subconscious had some inkling that he wasn't well long before the
doctors found what was ailing him. Maybe that was the case. For all that Banks
heavily pre-planned his novels, that creative spark – what we happily call
inspiration – comes from somewhere indefinable. And yet we all have it to some
extent. However we express it, or chose not to, somewhere inside we often know
ourselves better than we would sometimes care to.
But
I'm talking with hindsight, trying to find a pattern and meaning to help
explain why Iain (M) Banks is no longer here.
Maybe
as he said in his final televised interview, it's just bad luck.
I
was going to chat a bit about Banks's work here, but frankly bigger and better
brains than I possess have done so
elsewhere, and done it better than I could have done. I doubt there's
anything of worth that I could add to their thoughts. I'll just content myself
by saying that with his too-soon death his final works contain a poignancy as
well as all the dazzling pyrotechnics of an astounding imagination and talent.
I
was lucky enough to meet Banks a few times. Mostly at book events, but once at
a magazine rack, where we both reached for the latest New Scientist at the same
time and started chatting. Banks was open, friendly, and possessed no airs that
I could detect. He was as happy to talk books and “stuff” at the magazine rack
as he was at book signings and readings. So many others have said something
similar, and it's not something to forget: with a healthy air of
self-deprecation and a strong sense of humour, he was that rarest and most
honourable of things - a nice guy. Sometimes you can't say fairer than that.
Cheers,
Iain.